There is a theory that fish only grow to the size of their tank. Meanwhile, "Yeah Right" is a potent double-team effort that recruits Kendrick Lamar on a booming echo chamber of a number courtesy of SOPHIE and Flume. But his eye for detail and observational skills remain intact. Amy Winehouse speaks in the opening seconds of “Alyssa Interlude” (via an excerpt from a 2006 interview), setting the tone: “I’m quite a self-destructive person, so I guess I keep giving myself material,” she concludes, a sobering look into her process. The guest list is equally impressive. Here, Staples assembled a studio team comprised of L.A. beat music producer Zack Sekoff, electronic duos GTA and Christian Rich, Detroit glitch artist Jimmy Edgar, SOPHIE, Flume, and more. The driving force behind Big Fish Theory is tempo; Staples exudes manic energy, departing from the unnerving calm that marked earlier releases. It was released on May 18, 2017 by Blacksmith Records, ARTium Recordings and Def Jam Recordings. The album received widespread acclaim from critics, and debuted at number 16 on the US Billboard 200. They each play their roles well or at worst become part of the backdrop, aiding the general flow and texture of the album. Staples is as clever as ever, but now the beats travel faster than his racing mind. "Big Fish" is a song recorded by American rapper Vince Staples for his second studio album, Big Fish Theory (2017). There’s a chorus of other voices swirling around Staples on Big Fish Theory, but they mostly serve the larger sonic mosaic, echoing and amplifying Staples’ perspective. This is a track that everybody will feel. Big Fish is an English language song and is sung by Vince Staples. Amid the gleaming productions, he’s still exploring darkness. There are references to Basquiat and he calls himself the new River Phoenix. For the third consecutive year, Long Beach rapper Vince Staples issued a standout effort that continued to push creative boundaries while deepening his lyrical prowess. His sophomore album, Big Fish Theory, peers into the fishbowl of the fragile rap ecosystem and considers how “rappers are perceived and perceive themselves,” as he puts it. For other rappers, adjusting to the new mode might be awkward, but Staples’ lyrical precision allows him to cover just as much ground in fewer steps. The economy of his language makes for pithy dialogue (On “745”: “Eyes can’t hide your hate for me/Maybe you was made for the Maybelline/Spent so much tryna park the car/Barely got a tip for the maître d’”) and sharp, first-glance impressions of those in his orbit, adding bite-sized nuggets like “paid a pretty penny for my peace of mind.” Each passing stanza is a marvel of concision. The duration of the song is 3:18. Longtime collaborator and tourmate Kilo Kish joins Bon Iver on the standout "Crabs in a Bucket," while Juicy J joins Staples on the most traditionally big bass rap burst of the title track.
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