But as the war rumbles on and Dovidl understandably worries about what might have happened to his family back in Poland, the two young men become as close as brothers. © 2020 The Hollywood Reporter Despite the discouragement of his wife Helen (Catherine McCormack), who also knew Dovidl back in the day but thinks he should let his quest go, Martin plows on in search of his old friend, schlepping from Poland to New York and back to London until he meets Clive Owen playing a key character and all is revealed. Chief among the challenges, says Lantos, was putting together a budget in excess of $20 million – in today’s market – for an independently-produced period drama. Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe to find him. TIFF (@TIFF_NET). FACEBOOK It's lucky that Shore's original compositions here and the cuts from the classical repertoire, some performed with impressive skill by child actor Luke Doyle himself, are strong enough to give heft to an otherwise earnest, credulity-straining melodrama. April 16, 2021, Les Promesses de l’ombre With Eddie Izzard, Gerran Howell, Stanley Townsend, Amy Sloan. 7 of 15 people found this review helpful. The music for the film was no less complex. And like that film, The Song of Names sets personal, professional, and family tragedies against sweeping historical events. From Coraline to ParaNorman check out some of our favorite family-friendly movie picks to watch this Halloween. April 18, 2021. © 2020 howardshore.com All Rights Reserved. On the television front, Lantos said he is in development on a limited series based on David Cronenberg’s novel Consumed. var d = new Date(); In progress of being rescheduled, Blossom Music Festival Tim Roth and Clive Owen star in François Girard’s (Hochelaga, Land of Souls) latest sweeping historical drama, about a man searching for his childhood best friend — a Polish violin prodigy orphaned in the Holocaust — who vanished decades before on the night of his first public performance. “This might sound far fetched, but it’s the truth: I’ve been working on it since 1998,” says Lantos. Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe to find him. TIFF ’19: Robert Lantos discusses ‘most challenging’ film, The Song of Names. Please consult local listings. Dovid grows up like an adopted son of the family and goes from strength to strength in Violin skills. Several years after his childhood friend, a violin prodigy, disappears on the eve of his first solo concert, an Englishman travels throughout Europe to find him. “If it were being made by a Hollywood studio, [the budget] would have been $50 million.” He adds that Serendipity Point forfeited its producing fees on the film. With Eddie Izzard, Gerran Howell, Stanley Townsend, Amy Sloan. And like that film, The Song of Names sets personal, professional, and family tragedies against sweeping historical events. Clearly made by folks who are passionate about classical music, The Song of Names adapts music critic Norman Lebrecht's acclaimed novel of the same name for the big screen, producing — in the hands of director Francois Girard (The Red Violin, Thirty Two Short Films About Glenn Gould) and composer Howard Shore, among others — a Holocaust-themed requiem. 35 years after his disappearance, a late 40s Martin played by Tim Roth, criss-crosses Europe, hoping to find his adopted brother played by Clive Owen.
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